國立臺北藝術大學舞蹈學系、文學跨域創作所、傳統音樂研究所
TNUA Department of Dance, Graduate Institute of Traditional Music,
Graduate Institute of Transdisciplinary Study on Creative Writing and Literature

極東之隅:馬岡故事

In the Farthest Corner of the East: Magang Story

人人都是他人故事中的故事。

「極東之隅」之計劃起於跨域、跨藝的課程概念。通過跨域、跨藝的媒合,對在地文化進行田野踏察,爬梳草根文化脈絡,進而進行駐點創作及展演。藉由藝術作為載體,將藝術與生活更緊密的連結,深化觀眾對於這塊土地的認識。同時藉由此作品,使得表演者與創作者能夠重新檢閱自身文化及熟悉的島嶼,並將成果與在地居民和都市觀眾分享。


Each person is a story within someone else’s story.

“In the Farthest Corner of the East” links art and life even closer together. Through moving back to the people who were nurtured by grassroots culture, and venue-based creation and performance, we seek to invigorate local sentimentality and cultural life. Taking art as our vessel, we deepen the audience’s understanding of this land. At the same time, through this work, we enable local residents to re-evaluate their own culture and an island they know well.

We hope that in expanding our international horizons, at the same time we are influenced by them, we also understand the locals more deeply. Through fieldwork, venue-based creation and performance, we revisit local history and cultural contexts.

Facing the same fieldwork (environment), and with various creative avenues and unisons, we hope to stimulate greater possibilities for creative performance.




演出團隊簡介

國立臺北藝術大學文學跨域創作所
在這個多元媒介、百家爭鳴的年代,舊有的創作疆界也逐漸消融,為了回應時代的折衝、轉變和需求,本所根植於創校以來積累之沃土,以「文學X藝術」做為新的取徑。為培育關照當代議題之文學創作人才,本所課程規劃包含三大部分:文學當代性、當代文學基本問題、當代書寫實踐;以「當代文學實驗室」直面台灣社會,突出當代文學動態性的發展;強調兩大特點:以文學創作介入社會、以文學開拓藝術領域的未竟之地。

國立臺北藝術大學傳統音樂研究所
國立臺北藝術大學音樂學院傳統音樂學系成立於1995年,乃為培育傳統音樂專業人才,以傳承、研究並發展傳統音樂而設立。 本系專業課程,結合傳統音樂的傳承與現代化專業高等音樂教育理念。除專業演奏技巧、演奏理論與演奏藝術相輔相成的教學方針外,強調該領域全方位學習,須修習與傳統音樂有關之課程。為開拓視野,學生也須修習西洋音樂歷史與理論和亞洲音樂等課程,也可以選修甘美朗(Gamelan)及鋼鼓樂隊(Steel Band)等合奏,以成為具備民族性與世界觀之藝術家。碩士班分理論組與演奏組,以深化傳統表演技藝與學術能力為目標,強調國際化與現代化之精神,以培育傳統音樂演奏、研究及師資等專業人才。學生在豐富的教學資源培育下,不僅具備傳統音樂領域多元展演技藝與學識修養,並且開闊視野,成為兼具國際視野與民族特色的藝術家。

國立臺北藝術大學舞蹈學院
國立臺北藝術大學舞蹈學院(TNUA,前身為2001年以前的國立藝術學院)創立於1983年,秉持本校創校宗旨及教育方針,融合東方與西方,跨越傳統與現代,兼顧學術與實務,以培育文、史、哲、美兼修的「全人」教育為目標。結合本校音樂、戲劇、美術、文化資源等各領域之藝術資源,以國際化、專業化、跨界化為佐,建立獨特的身體語彙、表演創作風格,以及傑出的教育體系和學術文化風貌,學院和校友的成就多年來不僅在台灣當代舞蹈界、且於全世界聞名,期許以當代臺灣舞蹈新風貌,展現國際引領之地位。


TNUA Graduate Institute of Transdisciplinary Study on Creative Writing and Literature
Today’s open media environment and free flow of ideas are steadily dismantling the traditional boundaries of creativity and creative expression. Recognizing the realities and requirements of this pivotal shift, TNUA’s Graduate Institute of Transdisciplinary Study on Creative Writing and Literature draws on the rich resources of TNUA to expand knowledge and innovation into the increasingly fluid frontier between literature and art (literature x art). To effectively raise new generations of literary talent and encourage their shining light and understanding on contemporary social issues, courses at the Graduate Institute focus on three main areas of study: Literary Contemporaneity, Fundamental Issues in Contemporary Literature, and Contemporary Literature Composition. In addition, the Graduate Institute’s Contemporary Literature Laboratory examines and explores the dynamic development of contemporary literature in Taiwan, with key focuses on literature as a medium of social engagement and as a medium of expanding art into new and impactful dimensions.

TNUA Graduate Institute of Traditional Music
The TNUA Department of Traditional Music was established in 1995 for the purpose of furthering, researching, and developing traditional music through the nurturing of professional talent. The professional training of the department unites the transmission of traditional music and modernized, expert ideals of higher education in music. Aside from a coherent focus on expertise in technical performance, performance theory, and the art of performance, we also emphasize holistic learning in the field, with required courses relating to traditional music. To broaden their horizons, students take courses in Western music history and theory as well as Asian music, and can take Gamelan or Steel Band orchestra as electives, becoming artists with an ethnographic worldliness. Graduate study is divided into theory and performance streams. With the deepening of both traditional performance technique and academic ability as our goal, the program emphasizes a spirit of modernity and internationalism, in order to nurture professional talent in traditional music performance, research, and teaching. Developing through the aid of rich educational resources, students are not only equipped with diverse performance techniques and academic cultivation in the field of traditional music, but expand their horizons, becoming artists with both ethnic color and an international field of vision.

TNUA School of Dance
Taipei National University of the Arts (TNUA, formerly known as National Institute of the Arts before 2001) was founded in 1982. Since the establishment of the School of Dance in 1983, a world-class faculty of choreographers, performers, and scholars has led the BFA, MA/MFA, and Ph.D. programs and developed dance artists, educators, writers, and administrators in the performing arts. The accomplishments of the faculty and alumni have made a name for TNUA not only in the contemporary dance scene in Taiwan, but also worldwide.




演職員表

主辦|國立臺北藝術大學
校長|陳愷璜
舞蹈學院院長|何曉玫
舞蹈學系主任|張曉雄

藝術總監|張曉雄
製作人|張曉雄、顧玉玲
音樂統籌|蔡凌蕙、張惠妮
文學顧問|顧玉玲
技術總監|吳文安
舞台監督|朱健鍺
影像攝影|洪聖喬、蔡高來河
平面攝影|張曉雄
行政助理|李家名、李文欣
協同創作/演出|張哲豪、李文欣、許哲、斯釋民、楊勝博、劉懿霖、高敏純、張雅惠、周穎欣、尹雯慧

Hosted by|Taipei National University of the Arts
Principal|Chen Kai-huang
Dean|Ho Hsiao-mei
Head|Zhang Xiaoxiong

Artistic Director|Zhang Xiao-xiong
Producer|Zhang Xiao-xiong, Gu Yu-ling
Music Direction|Tsai Ling-Huei, Chang wui-ni
Literary Consultant|Gu Yu-ling
Technical Director|Goh Boon-ann
Stage Manager|Chu Chien-che
Videography|Hung Sheng Chiao, Tsai Ko-Lai He
Portraiture|Zhang Xiao-xiong
Administrative Assistants|Lee Chia Ming, Lee Wen Hsin
Co-creation / performance|Chang Che-hao, Lee Wen-hsin, Xu Zhe, Szu Shih-min, Yang Sheng-po, Liou Yi-lin, Kao Min-chun, Chang Ya-hui, Chou Ying-hsin, Yin Wun-huei