北藝大傳統音樂學系
TNUA School of Music of Traditional Music Department

陶醉即興

Floating in Improvisation

演出內容介紹

什麼是即興?
即興就是樂手的現場靈感;即興就是隨時的變化;即興就是當下的創作;即興就是藝術的冥想; 即興就是個慢慢揭開的旋律、漸漸發展的節奏、是你還沒聽過的故事。
在很多傳統或現代音樂,即興是個音樂家必須學會的演奏方式。從中亞到中原,彈撥樂器的脈絡中有著許多「當下」的故事,音樂會結合烏德琴、琵琶、五絃琵琶與東不拉等,從中東音樂的傳統即興、敦煌琵琶譜《弊契兒》的今譯改編、南管四大名譜《梅花操》與烏德琴即興的互動,到五位演奏家將於當下的即興互動,傳音系教師Alban COUEFFE、研究生林憶如、李邦儀,並邀請到達夫鼓演奏家Mona Kaveh Ahangari、洞簫謝伃筑將一同來述說與發展這屬於你我當下的故事。

What’s Improvisation?
Improvisation is a live inspiration striking musician while playing; improvisation is a changing change; improvisation is an instantly composition; improvisation is a gradually building melody, a slowly developing rhythm, a story you have not heard before.
In many traditional or contemporary music, improvisation is a performing skill that musicians should acquire. From the Central Asia to China, the history of plucked instruments have many stories of “the moment.” From the traditional improvisation music of Middle East, a new interpretation on the tune of Tun-huang Musical Scores of Pipa, a new try of oud in Nanguan “Plum Blossom,” to an improvisation among five musicians at the moment, the Floating in Improvisation concert has united oud, pipa, wuxian pipa and dombra, invited members of the department of Traditional Music and the Daf musician Mona Kaveh Ahangari to tell and develop a story of the moment.




演出團隊簡介

國立臺北藝術大學傳統音樂學系
國立臺北藝術大學音樂學院傳統音樂學系成立於1995年,乃為了培育傳統音樂專業人才,以傳承、研究並發展傳統音樂而設立,結合傳統音樂的傳承與現代化專業高等音樂教育理念,致力於古琴、琵琶、南管樂、北管樂與音樂理論等保存與人才培育。本系師資網羅了傳統音樂領域之資深研究者與演奏者,此外並有多位教學經驗豐富、成就卓越的民間藝人,齊為栽培傳統音樂的新生代而努力,秉持專業教育與傳承傳統的理念,期許培育具備傳統音樂領域的多元展演技藝與學識修養,且視野開闊的藝術人才。
The Department of Traditional Music was founded in 1995 to serve the needs of heritage, scholarship, development, and education of traditional music in Taiwan. The programs of the Department of Traditional Music aim to breed the spirit of versatility associated with traditional musicians while simultaneously coordinating this with modern and professional musical educational training. Students learn those instrumental techniques associated with their majors as well as theories and other related instruments or styles. In order to cultivate artists who have a profound understanding, significant skills of traditional music culture and have a broad vision, all students are required to study history and theory of traditional music, western music and Asian music.




演出曲目

中東傳統音樂:《Bayati連曲》 Oud獨奏
Alban COUEFFE,Mona Kaveh Ahangari :《即興對話》 Oud與Daf 二重奏
Shahram Gholami : “Kavir”
Mona Kaveh Ahangari : “Garyan” Daf即興獨奏
李邦儀曲:《弊契兒》五絃琵琶二重奏
李邦儀改編:《哈薩克組曲》冬不拉與五絃琵琶二重奏
Alban COUEFFE、謝伃筑:《梅花問答》 Oud與洞簫
《陶醉即興》Oud、Daf、琵琶、冬不拉、洞簫即興重奏




演職員表

烏德琴/阿樂蹦貴妃
Oud/ Alban COUEFFE

達夫鼓/蒙納
Daf/Mona Kaveh Ahangari

琵琶/林憶如、李邦儀
Pipa/ Lin Yi-ju, Lee, Pang-Yi

五絃琵琶/林憶如、李邦儀
Wuxian Pipa/ Lin Yi-ju, Lee, Pang-Yi

冬不拉/林憶如
Dombra/ Lin Yi-ju, Lee

洞簫/謝伃筑
Hsiao/ Hsieh Yu-Zhu