2021 關渡藝術節 Kuandu Arts Festival

1. 《No man is an island》
編舞者：曾靖恩
舞意：
「No man is an island, entire of itself, every man is a piece of the continent, a part of the main.」－John Donne

2. 《一個從未到過的地方》
編舞者：曾靖恩
舞意：
我們的旅途依舊那麼的純粹、那樣的執著，而對於未知的是渴望、憧憬，那是一個我們從未到過的地方。

3. 《失衡彼端》
編舞者：曾靖恩
舞意：
科技訊息的快速縮短了時間與空間的距離，卻也讓現實與虛擬邊界模糊，使人們無論在身體或心理上隨時適應變動的環境。當關係的浮動、脆弱所引發的不安感受，也透露著現代人對於尋求繫緊關係卻同時渴望自由的衝突與矛盾。

4. 《Playground》
編舞者：馬修
舞意：
現今的社交媒體與約會軟體影響了我們與他人建立和維持親密關係的方式。我們能夠比以往更快、更方便地與他人建構連結。儘管這種新的配對方式可以帶來即刻快速的滿足感和快感，但也因此會帶來一系列的後遺症，例如：與現實的脫節、在群體中經常感到孤單或孤立。

1. 《No man is an island》
Choreographer：Tseng Ching En
Note：
「No man is an island, entire of itself, every man is a piece of the continent, a part of the main.」－John Donne

2. 《The Place Where I’ve Never Been》
Choreographer：Tseng Ching En
Note：
From the moment people are born, they will be influenced by the groups of people that surround them. Whether in life, study, or work, people are group-oriented, and will always be aware of the relationships building around them. This work is centered around "groups" and explores the process of a group of people coming together. Various conflicts arise in our daily lives, ranging from trivial arguments to serious events. But in every conflict, there is an opportunity for the uniqueness of the individual to transcend the dominance of the group. Even with its ups and downs, the group of people on this journey may find that even if everyone has different opinions, the essence behind the pursuit of their desires is the same. They may find the space to support one another, and begin to go in a similar direction.

3. 《Within the Verge》
Choreographer：Tseng Ching En
Note：
The rapid advancement of science and technology has not only shortened the distance between time and space, but has also blurred the boundary between the real and the virtual. This enables people to adjust to their changing environment at any time, both physically and psychologically. When these relationships start to fluctuate, they may become fragile and restless. How will people react?

4. 《Playground》
Choreographer：Palmer Mathews
Note：
Social media and dating apps have impacted the way we build and maintain intimate relationships with others. We are able to make connections with others faster and more conveniently than ever before. Although this newfound efficiency in match-making may bring immediate gratification and satisfaction, it also may bring a range of consequences, such as detachment from reality, loneliness, and abandonment.

演出團隊簡介

本次製作名稱為《漫漫長路 x Playground》，這檔製作共有四首作品，分別由曾靖恩及馬修(Palmer Mathews)共製的舞蹈作品，整場演出約一百一十分鐘(含中場休息十五分鐘)。在作品內容上則以不同編制及風格內容詮釋與創作，並由古名伸、何曉玫、林宏璋老師共同擔任藝術總監暨指導教授；吳文安老師擔任技術總監。本次演出舞作內容的性質所需，因此將製作分為上下半場。上半場為曾靖恩編創作品《漫漫長路》，下半場為馬修(Palmer Mathews)所編創作品《Playground》。

“On the way x Playground” consists of four independent works, choreographed and produced by Tseng Ching En and Palmer Mathews. The production is 110 minutes long, including a 15-minute intermission. The content of these works reflect the diverse and creative styles of the choreographers, as well as their interests in multimedia and cross-disciplinary art creation. Advisors Ku Ming Shen, Ho Hsiao Mei, and Lin Hongjohn jointly serve as artistic directors, and Professor Goh Boon Ann is the technical director. The first half of the production is “On the way,” choreographed by Tseng Ching En, and the second half is “Playground,” choreographed by Palmer Mathews.

演職員表

曾靖恩、馬修
Tseng Ching En、Palmer Mathews

漫漫長路 x Playground

On the way x Playground

演出團隊簡介

演職員表

Date

Ticket Price

Venue

演出長度

中場休息時間

節目網站

曾靖恩、馬修Tseng Ching En、Palmer Mathews

漫漫長路 x Playground

On the way x Playground

演出團隊簡介

演職員表

Date

Ticket Price

Venue

演出長度

中場休息時間

節目網站

曾靖恩、馬修
Tseng Ching En、Palmer Mathews